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PAST EDITORIALS:
Keepin' it Real (Mar/Apr 2005): 'How Many 'Baby Daddys' Do We Need?'
Keepin' it Real (May/Jun 2005): 'My Job Makes Me Hate You'


WHAT'S WRONG WITH BLACK LOVE?
by Karyn Beach, Onyx Magazine Hollywood Correspondent
Published July/August 2005

This has been a banner year for black actors. Samuel L. Jackson (Coach Carter), Will Smith (Hitch), Ice Cube (Are We There Yet?), Bernie Mac (Guess Who) and Tyler Perry (Diary of a Mad Black Woman) have started in films that debuted in first place. Terrence Howard won critical acclaim for his role in Crash and his breakout role in Hustle & Flow. Progress is great anywhere we can find it and I will be the first one in line to applaud these brothers and their achievements. But it prompts me to ask, where are the black actresses?

Many of us naively believed, when Halle clutched that golden Oscar statue, that it would usher in a new day for black actresses. That day hasn't come. Good roles for actresses of all colors have always been hard to come by. But when an actress is of color or over 40 - or God forbid, both - those roles become even more scarce. Most movies still have male leads and it used to be that an actress could count on the role of the girlfriend or wife (not necessarily the juiciest role or the best written, but a role just the same). Yet, when it comes to playing the love interest or wife for a black actor, those roles are increasingly going to non-black actresses.

When promoting his movie, Hitch overseas, Will Smith told The Birmingham (England) Post “There’s sort of an accepted myth that if you have two black actors, a male and a female, in the lead of a romantic comedy, that people around the world don’t want to see it. We spend $50-something million making this movie and the studio would think that was tough on their investment. So the idea of a black actor and a white actress comes up — that’ll work around the world, but it’s a problem in the U.S.”

The compromise? Cuban-born, Eva Mendes. She’s not white, so she won’t ruffle any feather inside the States. And she is not black so she won’t alienate white people outside of the States. So much for a color blind society. And Hitch isn’t an isolated incident. The summer release, Underclassman starred Nick Cannon as a young bike cop who goes undercover at a high school and falls for one of his teachers, played by Roselyn Sanchez. See Honey, Training Day and BLANK for other examples of this trend.

Mendes has seen a career boost by playing the wife or significant other of several black actors but even she thinks the phenomenon is strange. She told Newsweek, earlier this year, “ "I don't even know what to say about it anymore. Certainly I've benefitted, because I've got to work with Ice Cube, Denzel and Will. But it's lame. I wish the mentality wasn't so closed."

Let’s look at the first part of Smith’s premise. Two black actors will hurt international box office by branding a film a ‘black film.’ What is so different about two black people in love? We have the same issues as any other couples: trust, fidelity, communication, meddling friends and family. And let’s face it. It’s not as if Hollywood is churning out inventive and original concepts. A movie with two black romantic leads is similar enough in plot and character to any other movie with white or non-black romantic leads. Nevertheless, many whites will still dismiss it as a ‘black film’ What’s wrong with a black film? Are they scared to see it? Do they think they won’t be able to relate? Minorities see white people in love every day and, cultural differences aside, there are enough similarities that we can all find something that we can relate to, why can't they?

Unfortunately, the second part of his premise has some truth to it. There are a number of people whose feathers will get ruffled by the combination of a black actor and a white actress. I did a Google search on Hitch and came across a few white supremacist sites. I won’t repeat some of the things said there but suffice to say that they were really relieved that Smith got with Mendes and not a white woman. Really relieved.

There is a third reason behind this trend and it could spell the death knell for black-on-black, on-screen love. The bottom line. Black people will support (arguably) films that feature black actors. Hispanics will support (arguably) films that feature Hispanic actors. So, according to studio logic (if there is such a thing), they can score with both audiences by featuring leads from both ethnic groups. And they won't piss off a bunch of white folks in the process. It's a win-win-win situation . . . unless you are a black actress.

Get more celeb info! Visit Karyn Beach's website at www.divasoulsista.com.
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